Monday, November 30, 2009
It appears I'm not the only confused person in regards to the elusive Birdshit.
Numba 1 Stunna.
Saturday, November 28, 2009
The duo made history the other night by performing on live TV for the first time in who knows how long. Accordingly, the performed their newest track called "History" off Dante's new album.
What better way to return to the spotlight than to perform with the Legendary Roots Crew?
Friday, November 27, 2009
Previously-mentioned New Orleans rapper Curren$y (who, if you don't remember, is 1/3 of the trio Center Edge Territory -- also including Mos Def and Jay Electronica) is one of the few featured artists to be represented during the site's release.
Check out the video by following the link below.
Thursday, November 26, 2009
Tuesday, November 24, 2009
Not sure if this track will be on the tape or not, but it's solid nonetheless.
Lupe over Diddy's "Angles."
DOWNLOAD IT HERE. OR HERE.
Also, check out Raekwon's remix HERE.
Aaaaand, check out Rick Ross' version HERE.
EVERYBODY seems to want to get in on this track. Good for Puff. Dude hasn't done shit for a long time.
NOVEMBER 27th -- Black Friday.
Also, coinciding with the release of the Blakroc album is the official unveiling of Dame Dash's new community website CreativeControl.tv
As a special sneak preview of the site (which looks awesome as shit), here's a video from a new running program that the site will feature. It's called SkiBeatz and will profile hip-hop producer Ski.
Check him out here working on a new track with Mos Def, presumably for his upcoming project with his new group Center Edge Territory, which is composed of him, Jay Electronica, and Curren$y.
Monday, November 23, 2009
Friday, November 20, 2009
Curren$y is yet another powerful MC from Louisiana to take full form this year. He represents 1/3 of the new hip-hop supergroup Center Edge Territory. The group is Curren$y, Mos Def, and Jay Electronica (another New Orleans cat).
Mos and Jay-Elect have already made names for themselves in the scene, but look for Curren$y to blow up, especially once some Center Edge Territory shit starts dropping.
His latest track is "Breakfast (In & Out)" produced by Mos Def. Check it out below.
Definitely don't pass up on this dude.
Check the download links below.
- DOWNLOAD 'BREAKFAST (IN AND OUT)'
- DOWNLOAD 'AUDIO DOPE'
- DOWNLOAD THE FEAR AND LOATHING IN NEW ORLEANS MIXTAPE
This one features Pharoahe Monch and RZA. Talk about a wicked collabo. RZA actually wrote the rhythm guitar part for this one too.
Catch "Dollaz and Sense" here.
Also, the latest installment of the Blakroc webisode series has dropped.
Week 10 features Nicole Wray.
Dig it below.
It looks like production duo N.A.S.A. is planning on doing one video for every song on their debut album, Spirit of Apollo.
If you don't know the N.A.S.A. album, check it out for sure. It's the ultimate blending of styles -- it features the duo on production, with a varied cast of musicians on the mic. The lineup includes Method Man, RZA, Tom Waits, Kanye West, Santagold, MIA, Kool Keith, David Byrne, and way more. Definitely check it out.
Hopefully they'll drop a deluxe version of the album with an accompanying DVD of all the videos.
The video for the track "Wu Tang" feat. Method Man just dropped.
Cool ass video and dope ass song.
I hadn't really heard much about this album, but I might have to pick it up.
Thursday, November 19, 2009
You NEED to get on this. Trust me.
Official album drop date: November 27, 2009.
See below for more info, downloads, and video.
Blakroc is the collaborative brain-child of blues/rock duo The Black Keys and hip-hop mogul Damon Dash. The three came together to combine the best styles of blues with some of the strongest voices in hip-hop (Mos, Q-Tip, RZA, ODB, Jim Jones, Pharoahe Monch, Raekwon, etc. etc.). The result is fucking gold.
Leaked Tracks (Download Links):
- "On the Vista" ft. Mos Def
- "Stay Off the Fucking Flowers" ft. Raekwon
- "Hope You're Happy" ft. Q-Tip, Billy Danze, Nicole Wray
- Album Sampler
"Hoochie Coo" ft. Mos Def & Jim Jones
Official Music Video
To clue people in on his recent b-sides and rarities collection, "Unexpected Guests," the metal-faced villain delivered this eerily-uninformative short.
You have been forewarned.
Check out the official site [DOOM-UnexpectedGuests.com] for more information, as well as to hear some tracks from the disc, including "Fly That Knot" by DOOM feat. Talib Kweli ("Bout time you heard a rhyme from DOOM and Kweli" -MF DOOM).
As if that wasn't enough, Gold Dust Media just released an official DOOM application for Facebook, through which users can sport their very own DOOM mask on their profile via webcam photo.
Check it out HERE.
You know I'll be rocking mine.
Wednesday, November 18, 2009
This one stars Billy Danze, Nicole Wray, and Q-Tip.
Also, we've finally gotten word of the official tracklisting for the project. The lineup has been released for a while now, but actually seeing everybody in order with track titles like that is really exciting for some reason.
Can you tell how stoked I am about this project?
[Download "Hope You're Happy" ft. Q-Tip, Billy Danze, and Nicole Wray HERE]
November 27, 2009
01. Coochie (Featuring Ludacris & Ol’ Dirty Bastard)
02. On The Vista (Featuring Mos Def)
03. Hard Times (Featuring NOE)
04. Dollaz & Sense (Featuring Pharoahe Monch & RZA)
05. Why Can’t I Forget Him (Featuring Nicole Wray)
06. Stay Off The F*%$#n’ Flowers (Featuring Raekwon)
07. Ain’t Nothing Like You (Featuring Jim Jones & Mos Def)
08. Hope You’re Happy (Featuring Billy Danze, Nicole Wray & Q-Tip)
09. Tellin’ Me Things (Featuring RZA)
10. What You Do To Me (Featuring Billy Danze, Jim Jones & Nicole Wray)
11. Done Did It (Featuring Nicole Wray & NOE)
"Whatever you Want" (GOOD Music Remix)
Kanye West x Common x KiD CuDi x Big Sean x Consequence
>> DOWNLOAD IT HERE << >> OR THE CLEAN VERSION HERE <<
And while you're waiting, check this out...
Consequence / Kid Cudi Pursuit of Happiness 'Broski Alert'
Tuesday, November 17, 2009
Lupe Fiasco has been on a tear lately. Once staunchly on the wrong side of leaks and giveaways, the Chicago emcee who once printed a list of reasons why he's upset with the current leak-heavy music scene has been releasing a tirade of freestyles via blogs and websites. The reason for Lupe's surge in activity can be traced to MTV's Hottest Emcees list of 2009, and Cornell Westside's (as he's been dubbed) absence from the list. But for Lupe, inclusion on MTV's list wasn't just about ego or the current standing of Lupe Fiaso. As he told us during an exclusive interview,
"For me, another part was ‘I gotta make that list because the kids have to see that you don’t have to do this to be successful.’ If you look at it and 90% of it is negative, it’s like we gotta have something positive on the list. That’s not taking shots at anybody. All those people are my homeboys, but if we come down to the nitty gritty and what’s effecting the streets, you got kids getting beat to death in the streets. You really have to take the responsibility to step up and be like, ‘I have to show my success. I have to work this hard. I have to be to be looked at as this top ranked dude and top ranked Emcee. It’s not because I want the glory and fame, but so kids can have a different role model or choice of role model.' If we’re excluded from that, the top pop culture thing for Hip Hop is devoid of anything positive, oh naw, we got to go to work. The conscious backpackers have to go to the club and go to work."
Lupe's current work includes his forthcoming album L.A.S.E.R.S., which also represents a new found clarity for Lupe in terms of what the emcee wants and doesn't want, as evidenced by the L.A.S.E.R.S. Manifesto. Lupe spoke to us about the manifesto, the new album, his changes at FNF, and how preparing for his Halloween concert showed him how to get his swagger back. Check out the full interview below.
RubyHornet: We’re all pretty excited for your Halloween concert tomorrow. You’ve done this the last few years. How does it feel to you, is it starting to feel like a regular occurrence, a family type of setting?
Lupe Fiasco: Yeah, it definitely has the family element to it. This is not the only time, but I’m rarely in the city so this is when I really do see my family. They come out 30-40 deep to the show. It’s almost like we took Halloween and made it a family holiday for me. A lot of family comes out to the show and it’s more so creating a tradition. The first one was like a fluke, like ‘yo, let’s do a show on Halloween.’ And then it turned into ‘let’s do another one. Let’s do another one.’ And every year it’s gotten bigger and bigger, a little more sophisticated, a little more complex, it turned out to be something that hopefully I can do from here on out.
RubyHornet: This one is called Remember 2 Smile, billed as a retrospective. Is that something that you came up with, and is that a direction to the fans, or something that you need to remind yourself at times?
Lupe Fiasco: It’s kind of dope. There’s a few meanings for it, like with everything I do. One is that basic idea that we’re pushing, especially with the title for the next album, which is L.A.S.E.R.S. (Love Always Shines Everytime Remember 2 Smile). It’s kind of that, giving you a little hint, a little wink-wink into the next album. There’s also so much going on in the city right now, so much violence and with the economy and all of this craziness involved, we’re in the spotlight for negative reasons. It’s kind of like a boost from one of the dudes in the city. And I’m not the only person, but this is just my two cents on the situation. No matter what goes on, remember to smile. And then the other part of it is that we’re going down memory lane a little bit. Not too crazy, but we’re definitely going backwards for the people who might have forgot, or the fans that were reminiscent. It’s like a piece of nostalgia what the actual concert is going to be and the songs that we're gonna perform. You’re really going to remember somethings like, ‘oh, you forgot about that… Remember this?...’ It has all those meanings rolled up into one.
RubyHornet: As far as going back in preparation for the show, has going back impacted or influenced the new music you’ve been creating?
Lupe Fiasco: Oh most definitely! I had to go back, and even as of today I’m still replaying old records in my head to remember the lyrics, going back through the old songs I even remember where I came from. I remember I heard “Failure” for the first time in years. Literally we’re sitting down listening to it for real, it’s been a couple years. And it’s like, ‘yo, I was doing that back then?’ That record is almost 6 years old. And it’s still fresh, it still has meaning, and I forgot some of the lyrics so I’m like, ‘that metaphor was kind of crazy.’ It was just like, ‘am I doing that right now? Have I maintained that?’ It pushes me to actually go back. I feel like I was murdering things back then. I don’t feel like I’m murdering anything right now. It’s not like I changed or anything like that, I just needed to step back and just do the things I was already doing cause it’s still ahead of its time. Not to pat myself on the back and be mad arrogant with it, but this still sounds new, and they’re still kids that come up to me and say, ‘”Failure” is the most ridiculous…’ And you just go through my old tracklist and it’s kind of the same way. For me, I should be doing this now. Why would I stray away and not come as hard on every record like I was doing before? That was real. Yeah, I’m gonna go back. I’m gonna go back into the studio and try to beat myself, try to take myself back to where I was. I feel like also I was losing inspiration and it was like, ‘what else is there to talk about? What else is there to do? Nobody is really doing anything.’ Kids are coming up now and it’s like, ‘he’s still nice. This guy is still nice. That guy’s still nice. Yo, you were nice son. You should be nice again.’ And fans might not even realize like ‘Lupe said he sucks. Lupe feels like he kinda fell off.’ Well not really, I just stopped doing what I used to do before, and now I’m going back to it. All because of going back through tracks for the show.
RubyHornet: Recently you’ve released various freestyles. Some sites have put them up with, ‘Lupe put this out because he’s upset he wasn’t named to the MTV Hottest Emcee List.’ Is that output of new freestyles related to the list?
Lupe Fiasco: Definitely the Emcee list. For me it was like, I guess you feel a certain way like, ‘I hope these people aren’t forgetting about me. Are they forgetting about me? Is this what the status quo is right now and I’m not in that? That’s unacceptable.' I feel like I’m nice or nicer than all of them, and it’s not taking shots at anybody. It’s the same situation where if there’s competition and this is what it is, it’s like, ‘OK, I can do that. I can play ball with you guys.' And if this is the criteria of what it needs to be, I can do that easily. It’s just putting myself into it. When they didn’t put me on the last list, when they first starting making the list I was really pissed because I didn’t make the list and I could understand, if I’m not the hottest dude right now, cool. But then they did an honorable mention list, and I didn’t make the honorable mention list. And I know those dudes over at MTV. It’s not like a beef or I was tripping, but it’s like, ‘come on man, what are you talking about?’ And then I just had to go on a tirade and start destroying stuff and you got “Superstar” and got all that other stuff. Put me in arenas where they say if you want to be hot, this is what it is. You have be murdering it over here, you have to have the clubs jumping like this, you have to have this over here.’ I can do that. I feel like I got enough accolades and enough of a foundation laid where I can go and do these things and my fans won’t look at it like ‘Lupe’s selling out.’ It’s more so... this is just fun for me. It’s ‘Lupe’s on parade almost.’ That kind of exclusion this time around was like, ‘oh, OK. I really have to go back in and start destroying. Really go in and just show that you won’t ever forget about me in that realm.’ I’m not a fame hog, but that’s kind of like the last competition for Hip Hop. I got massive competition. It’s like the Olympics of Hip Hop. I’m at the Grammy’s every year. Every album’s been nominated for a Grammy. On the music side I’m satisfied, but when it comes back to fun in Hip Hop, that’s the last real competition. The 5 Mics has kind of fell off, that’s not inspiration or drive anymore. That top Emcee list is, ‘OK, this is the Olympics now? This is the Final Four, the World Series.’ I’ll be there.
RubyHornet: You just mentioned having fun in Hip Hop. For you, is having fun a necessary part of making music? What has to come in line for you to be like, ‘Ok, I’m ready.’
Lupe Fiasco: It has to be-another thing about that list before I answer your question. The list was void of any balance. Everybody on that list except for maybe one or two people, but for the most part it was all one face. You had the hustlers, you had the street dudes, you had your heartthrob, but you didn’t have like Mos Def on there. You didn’t have the balance and I feel like I walk that line. If you’re never gonna put dude on the list cause he’s never gonna do this, Lupe can do that. Lupe can jump off and talk about whatever in a way that the streets are gonna get it, the girls are going to get it, nobody’s going to be able to deny it and it’s still going to have its integrity. For me, another part was ‘I gotta make that list because the kids have to see that you don’t have to do this to be successful.’ That’s the thermometer of success. If you look at it and 90% of it is negative, it’s like we gotta have something positive on the list. That’s not taking shots at anybody. All those people are my homeboys, but if we come down to the nitty gritty and what’s effecting the streets, you got kids getting beat to death in the streets. You really have to take the responsibility to step up and be like, ‘I have to show my success. I have to work this hard. I have to be to be looked at as this top ranked dude and top ranked Emcee. It’s not because I want the glory and fame, but so kids can have a different role model or choice of role model.' If we’re excluded from that, the top pop culture thing for Hip Hop is devoid of anything positive, oh naw, we got to go to work. The conscious backpackers have to go to the club and go to work.
RubyHornet: In the "L.A.S.E.R.S. Manifesto" one of the things you say is ‘we want to have our own voice.’ As far as the manifesto goes, did the music start to shape the manifesto or did you approach the manifesto first and that influenced the music you were making?
Lupe Fiasco: It was more so the manifesto came first. I felt like I needed to have a DNA. I talked to good friend, Ian Ashbury, who used to sing for the Doors and was real heavy in the scene and just a cool dude. I kick it with him in New York a lot. One of his partners was talking about how the old punk bands had manifestos. They built their whole thing off their manifesto. Think back to the Black Panther party, every movement had ‘this is what we want’. It made sense because I’m at a point in my life, and been at a point in my life for the last year or so, where I guess I’m gonna be old now? I’m gonna be like a man? And it was like, ‘how am I going to live the rest of my life? On what rules?’ It was more so about knowing what you want. If you know exactly what you want it makes life become easier in a sense. You have a set goal and there will be no ifyness, no indecision because you know exactly what you want and in knowing what you want, you also know exactly what you don’t want. Just that simple life lesson, you can create things off the top of that. The L.A.S.E.R.S. Manifesto was that. This is what I want my music to be. This is how I want to be looked at as an artist. This is what I want to achieve. Once you have that DNA it’s easy to go back... I don’t have thousands and thousands of songs. I have hundreds and hundreds of songs that cover the gambit of everything and go here and go there. So you kind of struggle with, ‘Ok, now what am I going to talk about?’ OK, let’s strip it down and take a bare bones approach. What do you want as a human being? What do you want for other people in the world? What do you want? It’s like, ‘OK, here’s a list.’ Old punk bands had manifestos. The Black Panther Party had a manifesto… It gave the movement purpose, it gave the movement a goal so every step had to make sense. After I did the manifesto the music became, ‘OK, is this song achieving this or no? Well that song isn’t the song you need to make… That’s the song…’
RubyHornet: I understand that, and I understand where you’re at in life. Something that comes up after you figure out what you want and how to achieve your goals, I think that another important step in all that is being able to forgive yourself when you don’t necessarily meet what you’re going for, and being able to move on as you just said, ‘OK, that song didn’t make it, but we’re gonna go to the next one.’ I’m wondering if that’s gone into your thinking, being less critical of yourself and being able to forgive yourself.
Lupe Fiasco: Um, most definitely. It’s almost like certain things I can’t let go because they’re my inspiration. There’s a core of my inspiration. But other things I just don’t take them as seriously. Cause when you step back and you look at it, it’s so trivial. Certain things for me. Do you want to be the best emcee? Naw. I can’t be the best emcee, I don’t really believe that. I don’t really believe that any human is really better than another human being. Maybe at certain physical kind of things, but at the end of the day, we’re not in competition. We’re trying to co-exist as opposed to compete. There were certain things that are innate in what I do and the business that I’m in it’s like I had to push it away and start to come to grips. My ambitions had to come down to my abilities. It was more so, ‘OK, you’ve made mistakes and you’ve had the life lessons, the ups and downs and now that you understand that and are at a place with some clarity where you can look back on it, you see that and it’s like, ‘OK, what do you want to do with it now?’ And that’s where forgiveness comes in. It’s not like completely I’m going to forgive myself cause I did this. There’s certain stuff that you don’t have control over, or certain stuff that you’ll never know until you get to the end of it and then you turn around and it’s like, ‘OK, now I see that I was too ambitious.’ G-d forgive me for being too ambitious and prideful and let me kind of fix that kind of flaw in so that before I make a whole other set of decisions I’m gonna keep it right. I got rid of, you’re the first to know, I got rid of the entire First and Fifteenth Record Label. Me and Sarah Green are the only artists on the label, like I got rid of the whole label. It was just such a ‘this isn’t right for you right now. This isn’t gonna work for you right now. You need to be focused on you. Do you really want that, do you really have the capacity to do it?’
RubyHornet: What you said goes back to what you said earlier in the interview regarding, ‘OK, if this is what I have to do to be the hottest emcee then I’ll start to do some of these things.’ But you’re also at a place where you can move around. If you want to experiment, I think fans are open to you doing that…Not a lot of artists get to that point. How do you navigate doing what feels good to you vs. keeping in mind the fans and what they may expect?
Lupe Fiasco: This isn’t all me. My philosophy has always been about art, or any type of creative thing, it’s 50 percent you and 50 percent your audience. You can create it up to a certain point and put everything you want to put into it and everything you want it to mean. And you can represent it and somebody else will take it completely different. They’ll say, ‘oh this song is about this, and this etc..’ They’re going to take it and set it to their life and their tempo. They’re going to put it in the soundtrack to their life where they need it at. Some people might look at “Streets On Fire” as a big political piece and so intricate, and some others might just hear background music for a bubblegum commercial. You’ll never know when it comes to your audience. They’re going to take it how they take it and it’s going to go through a process where they’re going to make it mean to them what they need it to mean to them. I’ve been totally understanding of that since the door, and I know that we’re in it together and it’s a partnership, speaking of my fans. I know I need to give them what they want and at the same time give myself what I want. As long as that balance is kept, that balance of ‘I understand what you guys want. I understand why you guys are fans, I know what you want to hear, I know what you don’t want to hear at the same time too. But I also know that other than what you want to hear, this is where you want me to be. And this is where I want you guys to be.’
This Halloween show for instance, I’m not making any money off this show. I’m taking all the money that I make off this show, which comes from the kids buying tickets, and putting it right back into the show. It’s so over the top, but that’s what I feel my fans should get at this point. I feel my fans shouldn’t just get Lupe on stage with two turntables and a microphone. I feel like we’ve graduated from that. The fans that have been with me, they should share in that. They should see a career that’s been ten years in the making. This is what the end of this ten years looks like, this massive, this ‘oh my g-d, that’s kind of big, that’s kind of impressive.’ They need to know that they’ve had a hand in it. You support me kind of financially so to speak, so that I can create these things that you can partake in and walk away with and know you had a piece in that. That’s the relationship. That’s the open type of relationship I got with my fans. But at the same time too, I know I need to push the boundaries so they can look up and see Lupe over here. How did Lupe get on tour with, and I’m just being super hypothetical, none of this is true, but for the future, how did Lupe get on tour with U2? Then turn around and Lupe’s the spokesman for Whole Foods? To trace it all back, it started from this core of music that you guys supported with your clicks on MySpace. Then you went further and downloaded the mixtapes, then you went to buy the album. Then you went to buy tickets to the show. All of this is being fueled and supported by you guys, but at the same time I want you guys to know that I can go left and go and do anything that anybody else can do. I’ll be your super role-model. I’m your super-duper homeboy friend that is able to go anywhere and do anything. If you want me to talk about something, I’m going to talk about it. If there’s something on your mind, know that it’s on my mind too and I’m going to put it in a public space. It may seem that nobody cares, I’m going to make a whole damn album about it and put it on MTV. So when you look at me being on this list, it’s for my fans. So they could be like, OK, Lupe’s back on the list, we got a homeboy on there too.
[All Photos except for top image were shot by Virgil Solis during the Remember 2 Smile concert on 10/30/09. See the rest of them HERE]
(Also, not really sure why God/god is written G-d in this interview. Who knows. -Mike)
This might have something to do with recent cancellation of the rest of his 2009 BP3 Tour dates.
Hopefully he makes a cameo in some skits like he did last time around.
27 November 2009
>> CATCH THE SAMPLER HERE <<
Until then, here's some random videos (revolving around BlakRoc stuff for the most part) that were released to pique the interest.
The site isn't even opened yet and it's already dope as fuck. Check it out.
Some more of the BlakRoc project has leaked.
The album, which drops November 27, features blues-rock duo Black Keys on production (with a little help from RZA and others), with hip-hop greats like Raekwon, Mos Def, Q-Tip, RZA, ODB, Billy Danze, and more on the mic.
This shit is gonna be ill.
You're a fool if you don't buy it.
BlakRoc (ft. Mos Def) - "On the Vista"
>> DOWNLOAD <<
BlakRoc (ft. Raekwon) - "Stay Off the Fuckin' Flowers"
>> DOWNLOAD <<
And don't forget "Hoochie Coo" with Mos Def and Jim Jones...
Check out the video here.
This one's going to be acoustic. Look for it on 2dopeboyz.
Monday, November 16, 2009
Interesting line-up. Production sounds like old-school RZA stuff (fitting since it features Raekwon).
Murs is the shit -- be sure to check him out on November 17th when Felt 3: Tribute to Rosie Perez drops in the US.
Xzibit is still alive? Hm.
I love thematic music videos like this. Did you catch the Kid Cudi "Since She Came Along" spaghetti western style video?
Get on it.
Cudi's wearing that lame ass Billionaire Boys Club sweater shit.
Do any famous people buy non-Nike sneakers anymore?
And Drake's jacket is wicked 80s Canadian.
That ain't a compliment.
Looks like the Abominable Snowman starring in Top Gun.
That is all.
"That shit ain't poppin over here, B"
-Lupe Fiasco (Dumb it Down)
Sunday, November 15, 2009
BlakRoc (ft. Mos Def & Jim Jones)
November 27, 2009
If you haven't done your homework on BlakRoc, you better catch up fast before the self-titled album drops November 27.
Here's what you can look forward to:
The Black Keys (on production)
Dame Dash (on the business end as always)
Mos Def (on vocals and bass)
RZA (on vocals and guitar)
Seriously, how could you pass on this.
Look for it this month.
Ol Dirty Bastard is like the new Tupac. The dude seems to be releasing more stuff now that he's dead. He was just on NASA's project from a couple months ago, he's got a verse on the BlakRoc project that drops this month (which you need to fuck with), and now he has a new track of his own.
This one's called "Say No" of his upcoming album (!?) Message to the Other Side.
When he died all of his tapes were released to Def Jam. They sure as hell have been cashing in as of late.
>> CHECK IT HERE <<
This solo Black Thought track is actually from back in 2004 but somehow only just saw the light of day.
Anyone heard any updates on his solo album?
>> DOWNLOAD IT HERE <<
Monday, November 9, 2009
As if his newly anticipated odds-n-ends compilation album Unexpected Guests wasn't enough to get me all worked up, the Metal Faced Villain MF Doom has announced the first single from his recent release Born Like This.
The single will come in the form of an EP featuring the track "Gazillion Ear" along with remixes by the likes of Thom Yorke and Dr. Who Dat?, as well as other miscellaneous crap that I guess wouldn't fit onto Unexpected Guests.
Color me stoked.
November and December are gonna be heavy on solid releases (two from DOOM, one from Felt, a new mixtape from Lupe Fiasco, the highly anticipated BlakRoc release, and finally Lupe's LASERS).
About a year and a half ago, Lupe Fiasco said he wasn't going to fuck with mixtapes anymore. "That point has been made" he said. That's also around the same time he announced his imminent retirement, and we all know how that turned out, right?
So, in the midst of the slew of freestyles he's been releasing recently (dig this here and this one here), he's announced plans for A NEW MIXTAPE dropping November 25th. Looks like Christmas is dropping a month early this year!
"I can't fuck with Eminem," he says after the freestyle in the video below, "but I've got everybody else covered." I'd say that sounds about right. "So let's say November 25th, we gonna put out Fahrenheit 115 Part Six."
Friday, November 6, 2009
As if that wasn't enough, Lupe made an encore surprise performance to rock out with the show's headline act, Snoop D-O-Double G.
'Lupy it's snoopy lets go wild
Tip toe through the door do it doggy style
And tell all my chicks in chi-I-ca-go
Lupy hit the Lotto snoopy hit bottle'
-Snoop Dogg, "Hi-Definition"
Thursday, November 5, 2009
Even though Mos Def's "Battle for New Orleans" most likely won't go down as planned this December, it seems he'll still get a chance to collaborate with so-called "hip-hop messiah" Jay Electronica after their work together on Mos Def's Ecstatic Tour.
Along with another New Orleans MC Curren$y, Mos and Jay Elect have formed a new hip-hop supergroup called Center Edge Territory.
Apparently, they've got six tracks down and counting.
No news yet on any other album info or any release date, but with six songs under the belt already, it looks like this project is coming together quickly.
Put it on the list. Can't wait.
Sunday, November 1, 2009
In 2004, When DOOM (then MF Doom) first teamed up with producer Madlib for a full-length album, the resulting spaced-out rap masterwork ended up as Pitchfork's #25 album of the decade. So it's a big deal that DOOM and Madlib have finally, finally reactivated their Madvillain project. At the moment, the two are hard at work on the mysterious follow-up to Madvillainy.
The new Madvillain album has no release date right now, but it'll eventually come out on Stones Throw. According to Stones Throw's publicist, Madlib will once again produce every track, and TV on the Radio production mastermind Dave Sitek is tentatively involved with the project. Mos Def also contributes to the album.
Last week on East Village Radio's Fat Beats Live show, DJ J.Rocc played a few work-in-progress snippets of tracks that could end up on the album. And they sound every bit as woozily free-associative as Madvillain classics like "Accordion" or "America's Most Blunted". DOOM: "I'd like to start off by thanking our sponsor / For financing the parts for this Frankenstein monster."
As previously reported, Madvillain will perform at the We the People Festival on November 21 in Los Angeles.